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Art Director Daniel Lopez Muñoz on Finding Pixar’s “Soul”, Best of 2020: The High Note Director Nisha Ganatra on the Importance of a Diverse Cast & Crew, The Sustainable Production Alliance: Celebrating the Green Production Guide’s 10-Year Anniversary. You had these strong dyes and very strong moments of color, in amongst a field of neutrals. She has on knee-high boots, a sturdy skirt, a blouse and a man’s coat. Viscerally, it felt right for the period and how I saw Harriet. The slaves were picking the cotton, spinning it and weaving it. Paul Tazewell and Jennifer Nettles attend the "Harriet" New York Screening at The Roxy Hotel on October 24, 2019 in New York City. Paul Tazewell’s unique costumes for Tubman are surprisingly androgynous; she wears a sailor’s outfit, a top hat and blazer, and ten-gallon hats.Soon, she becomes mythologized—Southern whites fear her as "Moses." His work can be seen in Kasi Lemmons’ Harriet, the story of slave turned heroine Harriet Tubman. Unless you’ve read the books by Kate Clifford Larson or Beverly Lowry, “We didn’t receive the whole story,” says costume designer Paul Tazewell. And he’s doing it in an epic way with Harriet, the sweeping saga of Harriet Tubman, the legendary 19th-century enslaved-person-turned-abolitionist who, after escaping to freedom, orchestrated the rescue of hundreds of fellow enslaved people. It was a linen fabric that had the stripe going through it. Since the film is still in theaters in the U.S., I can’t get many photos, but costume designer Paul Tazewell has been doing the media rounds and shared plenty of details about his fine work. What I was finding were daguerreotypes of the period. Costume designer Paul Tazewell talks about his work transforming the actress into freedom fighter Harriet Tubman, with outfits ranging from a blue Union Army uniform to … They were sewing their own clothes. How would she move in this? Part of it is for accuracy. “We built a lot. The same is true for the photographs; it’s a very limited view of who this woman was. “Harriet was one of the most extensive, lengthy trips that I have done,” says Tazewell, “Having worked on Broadway and on different period productions, I’m used to building them. Official Trailer For Harriet! Tazewell has done opera and also worked on television shows. Tazewell’s work is on stage and the screen, including this year’s feature film Harriet. Making sure the costumes were as authentic as possible was priority number one. It’s this pastiche of clothing pieces that all put together makes her into this bad-ass woman.”. “It solidifies how she is kind of a shape-shifter, taking on different looks — some of them male — to ride under the radar of the slave catchers,” he says. Director of Photography John Toll and Costume Designer Paul Tazewell shoot and costume the film in various shades of blue. Tazewell felt that the outfits Harriet wears on her quest to free more enslaved people should suggest the stealth nature of her work. “The daguerreotypes of the period are quite amazing,” he says. As a partner in Never Dull Productions (neverdullproductions.com), he has produced and directed the documentary Sled Shots about the U.S. Paralympic Sled Hockey team and written video scripts for numerous organizations and clients that include The United Nations, Beyond Meat, Spotify and Causes.com. From a modern eye, it needs to be part of the appeal. Paul Tazewell said he took inspiration from daguerreotypes from the 1800s for lead actress Cynthia Erivo’s custom made period costumes for the biopic “Harriet,” but also wanted the clothes to convey her superhero status in both American history and the Black Experience. We’re also embracing her as a mythic figure and a powerful woman. The panel talked about the long road bringing the film to the screen, and, of course, how it was costumed by Tazewell. They were all period pieces. My intent was to render a character of note. Get premium, high resolution news photos at Getty Images It’s the pinnacle of her realizing herself, having gone through a period of being a shapeshifter and master of disguise. In this Framing the Scene,  Tazewell breaks down key looks of Harriet’s journey. Harriet hits theaters on November 1, 2019. To showcase Harriet's strength of character, as well the changing world in which she lived, Lemmons reached out to costume designer Paul Tazewell. The Wiz, Hamilton and Jesus Christ Superstar Live! That way, you could identify that the slave was from that plantation if they ended up running away. Everything that she stood for changed my life, as well as the lives of so many others.”. Speaking were film producer Debra Martin Chase, Vanessa Bell Calloway—the actress who played Harriet Tubman’s mother, and Paul Tazewell, the film’s costume designer. “You will follow me,” she says. Framing The Scene: Crafting The Costumes For. When Tazewell turned his attention to television, the costume designer won an Emmy in 2016 for The Wiz Live! If Paul Tazewell wasn't a … He was pleasantly surprised by how much material there was online. In “Harriet,” we see iconic abolitionist Harriet Tubman like we have never seen her before. I chose linen because it would show the wrinkles and holds wrinkles very well. 11/2/2019 12:18:00 AM He strove to ensure that every costume design, in some way, helped advance the story. “I hope that I was able to visually create a world that was inviting, but acknowledges the fissures of Harriet’s life… the full hardship, and then also the heroic,” says Tazewell. For many, Harriet Tubman’s journey is one we’re taught about in school. I knew about Harriet Tubman in Junior High, but we didn’t pick her life apart and what it took for her to do what she did. 6,027 Followers, 607 Following, 151 Posts - See Instagram photos and videos from Paul G. Tazewell (@paultazewell) With the original look, it’s how I always begin a design, I immersed myself with research. Every time you put something new on, it’s like, ‘Oh, this is a different part of her. Paul Tazewell is a Tony and Emmy Award winning costume designer whose most recent work is featured in the film “Harriet” about Harriet Tubman, the … Before that, it’s really her power costume. They could have purchased the fabric from a neighboring plantation. From ‘Hamilton’ to ‘Harriet’: Costume designer Paul Tazewell’s creations come to High Point The sheen of the green satin ensemble reflects light under the gallery’s bulbs, quietly drawing attention to itself. “They establish her as this impactive, powerful woman fully embracing her heroic, ethnic persona.”, Erivo couldn’t agree more. Tazewell, a six-time Tony nominee, won the Tony for … Having worked in theater for over twenty-five years, Tazewell received a Tony® award in 2016 for bringing to life another historical period in Hamilton. Crafting the image of such an important character — without much historical imagery — was no small feat. We built about 12 dresses, and we had it at different levels so we could tell the story of her escaping and going through everything that she went through. “I loved that with every new costume comes this extra part of her that you wouldn’t see unless she was in the clothing. Paul Tazewell, Costume Designer: Hamilton. The last thing we see her in is in the uniform when she was an officer with the Union Army. Household heads and slave owners Gideon Brodess (Joe Alwyn) and his mother Eliza (Jennifer Nettles) needed looks that showed their stature but still suggested their rustic, rural lifestyle. When Harriet flees to Philadelphia and begins her life as a free woman, she enters a world of sophisticated fashion, reflected in the suits of William Still (Leslie Odom Jr.), who acclimates Harriet into her new life, and the elegant dresses of Marie Buchanon (Janelle Monáe), a leading black business owner who takes Harriet under her wing. Harriet stars Cynthia Erivo in the title role and features Leslie Odom Jr. and Janelle Monáe. Harriet had two different looks when she goes on her missions to free the enslaved. He’s been honored with seven Tony nominations, winning in 2016 for Hamilton. Featured image: Cynthia Erivo stars as Harriet Tubman in HARRIET, a Focus Features release. Here, the costumes, hair, and makeup designers from "Harriet… For many, Harriet Tubman’s journey is one we’re taught about in school. “I imagine the master…the owner wanted to document how many slaves he actually had — whether for a measure of wealth or power,” he says. Speaking were film producer Debra Martin Chase, Vanessa Bell Calloway—the actress who played Harriet Tubman’s mother, and Paul Tazewell, the film’s costume designer. From there, he built the costumes around the narrative arc as Harriet Tubman goes from slave to Union Army officer. In ‘Harriet,’ Paul Tazewell Dressed Cynthia Erivo as a Superhero The costume designer used a newly found photograph of Harriet Tubman as inspiration for the looks in … The first time we see her running through the forest, there’s this great connection to the environment that she’s in and that she’s making her way through. Tazewell insisted on only using natural materials from the time period — linen, cotton, wool, silk, and velvet. With the green dress, we tried to establish this growth and it’s also connected to the forest and nature. They would use blue or some significant color that would hold the plantation together within the same fabric world. After looking at the daguerreotypes of the neutral tone, some had been tinted after they had been taken. We didn’t receive the whole story. To the layperson, the getup looks like nothing more than a … The Library of Congress’ Prints and Photographs collection, in particular, yielded a wealth of information — most notably, photos of the plantations featuring group shots of the enslaved. Credit: Glen Wilson / Focus Features. The Emmy and Tony winner also shares how he created storytelling costumes for powerhouse Cynthia Erivo in the Harriet Tubman biopic. The fabrics I chose were about function. In ‘Harriet,’ Paul Tazewell Dressed Cynthia Erivo as a Superhero The costume designer used a newly found photograph of Harriet Tubman as inspiration for the looks in the new Kasi Lemmons movie. As the film opens, Harriet, played by Cynthia Erivo, is still enslaved. For many, Harriet Tubman’s journey is one we’re taught about in school. Cynthia was a trooper. Keep up with The Credits for the latest in film, television and more. All rights reserved. It becomes more poetic and emotional. “I was delighted,” says Tazewell when director Kasi Lemmons, who co-wrote the script with Gregory Allen Howard, approached him to design the costumes for Harriet. The cliche of masculinity and strength—slave owners initially assume her identity to be a man, isn’t massaged extensively here. Until now. The coat is an olive-brown. are just a few of the shows that Paul Tazewell has created costumes for. After consuming the script, it became evident to Tazewell just how extensive the wardrobe requirements would be. For the last two decades, costume designer Paul Tazewell has been conquering Broadway. If you are a California resident, California law may consider certain disclosures of data a “sale” of your personal information (such as cookies that help Motion Picture Association later serve you ads, like we discuss in our, Chris Koseluk has written for the entertainment industry for publications such as. Unless you’ve read the books by Kate Clifford Larson or Beverly Lowry, “We didn’t receive the whole story,” says costume designer Paul Tazewell. At the time, that had just become very popular — documenting the slaves on plantations and life on plantations. While we’re doing that, we’re trying to imbue it with the poetry for an audience. He received a nomination in 2018 for Jesus Christ Superstar Live in Concert. Now, Tazewell is setting his sights on the film world. Some of that was because we needed to have the amount of yardage that we were able to get because there were so many duplicates of that dress. The plantation where Harriet was owned wasn’t big enough for them to have that manufacturing system. It turned out that most of Harriet’s outfits also needed this durability. But it is also for function and wear and tear. It starts to build to the red coat and dress that we see her in towards the end. Semi-Finalists: Mark Bridges for Joker, Paul Tazewell for Harriet, Deborah Cook for Missing Link, Colleen Atwood for Bombshell, and April Napier … Bridging the Gap: A look into African American Hair & Makeup for Theatre We know she’s a heroine, an abolitionist who led slaves to their freedom via the underground railroad. We know she’s a heroine, an abolitionist who led slaves to their freedom via the underground railroad. 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